Monday, October 29, 2012
The Hair Kid - "Spring Fling"
I got a nice email last week from blog fan The Hair Kid, who's a synthesist himself, making a mix of instrumental tracks and rap tracks. Above is his instrumental "Spring Fling", which shows alot of promise for the future. Excellent beats, great warm synths, and a pretty awesome arrangement. THK says his gear includes "Moog Model D, Juno 106, DX7, Access Virus, Syntecno TeeBee and Akai S612."
Below is his album, so if you're any fan of rap in addition to electronic music, check it out. Track 6 "Love Me Tender" has some great cut up production in the second half.
Hand in Hand - MAM
We're really excited to see this group of musicians grow in the next few months! MAM is a collaboration between two producers, Miguel Campbell and Matt Hughes. This track for Nice to Be Records is something soulful, crisp and well produced. Although this track is not free from soundcloud, please play it out! (The whole EP is wonderful)
You can buy it here!
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Eurythmics - Sweet Dreams (Are Made Of This) - Get That Sound
Have you ever wanted to sound like the Eurythmics? Future Music has a short little tutorial on copying the sound of "Sweet Dreams". These are always nice little videos because they can give you ideas on how to use plugins, even if you aren't copying the sounds. Check it out.
Moog Announces 500 Series Delay
Were you a fan of Moog's 500 series low pass filter? Moog has just announced the next 500 series module, a delay effect, which will ship this December for $999. I imagine this will be a hit with the higher-end producers, because it sounds pretty cool. Delay, as many of you know, is a staple in electronic music, and Moog has fantastic experience with it, as with many other effects, through the Moogerfooger line. Read the full details below.
Friday, October 26, 2012
Ableton announces Live 9 and the Push Controller
Wow. Ableton has just stepped up and killed it with their announcement of Live 9 and their new controller Push. Live 9 has a variety of great improvements over Live 8, many of which were demanded by the users themselves, like automation curves and automation to clips. They've added the fantastic Glue Compressor as a standard to Live 9, and made visual editing in the EQ and compressor much easier as well. The library, which was before clunky and slow, has been completely overhauled to make finding patches and plugins much quicker. My favorite addition in Live 9 might be the conversion capabilities of audio to MIDI. This means you can either sing a set of notes, and turn it into MIDI for a plugin, play some guitar notes and do the same, or beatbox a beat and turn that into a drum pattern on the computer. This works with sampled audio, or you could easily drop in a track you enjoy. Absolutely awesome. MIDI transform has been upgraded, giving you the ability to get some great changes very quickly over a MIDI section. Some great Max for Live devices have been added as well. All fantastic features-- nothing here is going to be skipped over and ignored.
Chris Malinchak - "So Good to Me'
Wednesday, October 24, 2012
Joypopp - Addictions
I just got a cool new record from up-and-comers Joypopp today. Their debut album Addictions has just hit iTunes (US, GB), and I've been enjoying what I've heard so far-- reminds me a bit of early Madonna, but modernized as if it were mated with Passion Pit at times. Plenty of synth here, with staccato italo bass at times and dreamy patterns at others. Definitely a solid debut record and a band to watch. Check out the sampler below!
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