|The MIDITRIBE by Amazing Machines|
So how does it actually work once it's plugged in? Surprisingly, there's no special setting on the Monotribe or anything to turn on the MIDI-- you simply plug in your controller, and play, and suddenly you've got yourself a very cheap and knobby analog synthesizer. The MIDI In can be sent either through channel 1 to control the synth, or channel 10 to control the drums. I'm able to use all the octaves of my DSI Mopho to trigger all the notes of the Monotribe now. It's bizarre to me that such a simple mod can add that much to the Monotribe-- it's suddenly a synth you can play basslines and leads on for shows or recording. Even the pitch bending and mod wheel work, the mod wheel editing the LFO depth. Your newly added MIDI keyboard works the same way the ribbon does, meaning you can play in the notes the sequence that the Monotribe plays. This can create some interesting and unique ways to play, as you can get a perfect recreation of a quick bassline by using the Monotribe Flux button (the Flux button frees the notes from the locked in 8th or 16th notes of the sequence).
The MIDITRIBE has been around for a little while, but the newest version is the I/O, which has added the MIDI output of the Monotribe. This is great because you've suddenly got a way to run a small sequence into another synthesizer. Again, using my Mopho, I was able to play in a small sequence into the ribbon keyboard and have it be played through the Mopho, perfectly. I also tried it on the Juno 106, but the 106 didn't take as kindly-- it's likely this is due to fact that the 106 is older and wasn't receiving all the MIDI values correctly (perhaps because the MIDITRIBE was sending both the drums and note values at the same time on different MIDI channels). Regardless, it's quite cool to suddenly have a small and basic sequencer for your other synths.
|The fun part: seeing the insides of your Monotribe. |
MIDITRIBE not pictured.
The MIDI on the MIDITRIBE I/O is more complex than you might think; you're actually able to manipulate a variety of settings on the unit itself, which is really useful when it comes time to record the Monotribe with your DAW. Unfortunately, resonance and cutoff can't be controlled by MIDI, but most other parameters can-- this is due to limitations within the Monotribe itself, not the fault of the MIDITRIBE. Here are the MIDI CC's:
MIDI Velocity to VCA LEVEL (Needs MONOTRIBE OS 2.0)
Pitch Bend - Pitch Bend Wheel (-7 / +12 semitones)
LFO INT. - Modulation Wheel - CC 1
VCA LEVEL - Volume or Expression - CC 7 or CC 11 (Needs MONOTRIBE OS 2.0)
LFO RATE - General Purpose Controller 1 - CC 16
EG SHAPE - General Purpose Controller 5 - CC 80
LFO TARGET - General Purpose Controller 6 - CC 81
LFO MODE - General Purpose Controller 7 - CC 82
LFO WAVE - General Purpose Controller 8 - CC 83
The MIDITRIBE I/O is not, as I mentioned before, the first MIDITRIBE from Amazing Machines, but it is the cheapest and highest build quality. It costs $64 USD plus $24 for shipping, bringing in the total at $88. Amazing Machines is working on getting international distributors, so hopefully you'll be able to get it for a little bit cheaper in the coming months, but it's worth it to expand the power of the Monotribe. The MIDITRIBE brings new life to the Monotribe, moving it from a fun module to a recordable and performance ready synth. Amazing Machines has picked up where Korg left off, and added a new dimension to this tiny box.
- Allows MIDI in and out on the Monotribe
- Easy, No-solder Installation
- High Quality MIDI plugs
- Makes the Monotribe a serious synthesizer
- A bit pricey with shipping for an add-on
- No MIDI control of filter cutoff and resonance
- Can't close Monotribe Battery cover with quick installation