Com Truise releases "In Decay", a collection of previously unreleased Tracks

Nothing like a little New Com Truise for a Wednesday.  These are all new tracks and demos that you haven't heard before.  I've been a big fan of CT ever since I heard "Cyanide Sisters" and Galactic Melt was a superb electronic LP, so these new sounds are welcome.

Madeon's "Finale" is almost here, and it's his most important track to date. Here's why

Ah, Madeon.  The French kid wonder has been releasing a few tracks here and there, but his newest track, "Finale", is the most important to date.  Bold claim, I know, but it marks the first time Madeon's really stepping forward for me.

I try to hold back most/all negative comments on this site, and the past few Madeon tracks weren't showing me anything new-- he's clearly got fantastic production and mixing, but his tracks were starting to sound the all the same.  He's got a specific signature sound he does (I'll call it his "jump" from here on out, because that's what it sounds like to me), and it's present on all his tracks-- and "Finale" is the first good one where he's skipped it.  In addition, he's broken out and added some vocals as well.  As for his "jump" sound, it's the type of thing you love at first, but it's become his crutch and his way to attract attention to the tracks, and it's a bit played out for me.

Yeah, I know what you're thinking-- how can I even begin to knock any part of Madeon when the kid obviously has more skills/fans/tracks/whatever than I do, at a younger age than I? But-- here's my sincerest compliment.  For the first time in a while, I think Madeon might bridge the gap to be something even bigger-- the next Deadmau5 perhaps?

Shook Interview

Shook is a fresh producer with an array of fantastic remixes and up and coming original tracks.  His remix of Ellie Goulding's "Lights" reenvisioned the track as a lounge piece that would make any jazz enthusiast's mouth water-- and the electronic world took notice, giving the track 300,000 plays on SoundCloud as of today.  More recently, he's released a collaboration with Ronika called "Distorted Love" and, one of my personal favorites, a track called "Love for You".

Shook is one of the blog's more mysterious guests, so it's exciting to be able to have a few questions with him and find out where his roots are.  Enjoy a short but sweet interview with Shook below, and be sure to check out his newest release, "Garota '92", released today.





The Synth Symp:  How did you get started in music? When did you start doing remixes?
Shook: I come from a musical family, so I guess you could say music is in my blood. My father is a jazz pianist. He used to play old Jazz standards while I was watching cartoons. Eventually the music rubs off on you. I started making electronic music when I was pretty young. My first DAW was a trial version of Fruityloops, a program I still use today. Once I got the hang of it, I found myself entranced, making it hard to stop. Most of the time, I went on all night. The music I produced at that time was really high energy. I think 99% of it is music nobody will ever hear. I was also part of a high energy electronic punk band for a while. It was a lot of fun at the time, experimenting with different moods and styles. But at a certain point, my yearning for creating my own music started to take over again. I had my first official release when I was 17. It was some dark electronic stuff. Looking back, it feels like a journey. I was searching for something more personal; more exciting. In my opinion, making music should be a natural process. Nothing should be forced. I started doing remixes after the release of my first EP ‘The Glow EP’. Right after I put it online, various people started to contact me, asking me if I would be down to do some remix work. I was.

MiniBrutes hit consumer's hands, Finally

After months of desperate questioning of Arturia and local music shops, synth heads are finally plugging in their new Arturia MiniBrutes this past week (at least, in the USA).  Various posts from around the web confirm the excitement, and people seem to be impressed.  There's also been a fair collection of new YouTube videos being uploaded.  A few are below.

Well, was it worth the wait?  Are people happy?  Early reports seem to be a resounding "yes".  Future Music recently ran a review claiming it was well worth the price.  The few complaints I've seen on the net seem to be the external power supply is shoddy, it has a few missing buttons for features (that can only be accessed by computers) and that there are slight issues with software, but nothing that seems to deal breaker for anyone.

Check out the videos below, and be on the lookout for more posts on the MiniBrute.

 

Arturia Announce 'Next-Gen' Software, Drop Prices

Last week, Arturia announced that it would be releasing updated versions of their current line of soft synths with 64-bit compatibility.  In addition to this, the software has dropped in price dramatically (for some of the synths, anyway) to $99 USD, or 99 euros.  If you haven't tried any of this software, it's all pretty stellar and has had rave reviews for a while, in some cases considered some of the best analog emulation-- in fact, when I upgrade my computer in the near future, some of these will be on the list of things to get.

Press release is as follows:

"Arturia announces ‘Next Generation’ Analog Classic software 

GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of ‘Next Generation’ versions of its Analog Classic software instruments as of July 6... 

 Ten of Arturia’s most popular Mac (OS X 10.5 or higher) and Windows (7/Vista/XP) software instruments have had a complete makeover. Slick new packaging coincides with 64-bit compatibility for all, together with MIDI assignment improvements and better performance.

But best of all... all ten titles are now €99.00 EURO/$99.00 USD, a dramatic drop to half their previous street pricing (in most cases). Titles included are the Oberheim SEM V, Jupiter-8V, Prophet-V, ARP 2600V, Mini V (formerly Minimoog-V), CS-80V, and Modular V (formerly Moog Modular V) soft synths; Wurlitzer-V EP 200A electric piano software emulation; Analog Laboratory software synthesizer workstation; and SPARK Vintage Drum Machines.

 Quite simply, there has never been a better time than now to step into Arturia’s True Analogue Emulation (TAE®) world of those high-end synthesizers and drum machines favoured by a wide range of acclaimed artists like Ritchie Hawtin, deadmau5, Jordan Rudess (Dream Theater), The Crystal Method, Junkie XL, Herbie Hancock, Howard Jones, Trent Reznor (Nine Inch Nails), Hans Zimmer, Jean-Michel Jarre, Geoff Downes (Asia), and many more besides. So why wait to join them? Reach out to the Next Generation... today!

 Oberheim SEM V, Jupiter-8V, Prophet-V, ARP 2600V, Mini V, CS-80V, Modular V, Wurlitzer-V, Analog Laboratory, and SPARK Vintage Drum Machines can each be purchased as software downloads for €99.00 EURO/$99.00 USD or boxed versions for €119.00 EURO/$129.00 USD from Arturia’s Online Shop: http://www.arturia.com/evolution/en/buy/online-shop.html 


 As always, updates are free for all registered users from here: http://www.arturia.com/evolution/en/downloads/updates.html"

Anoraak posts live video of new song "Made-up", preps for the Drive tour

Anoraak has unveiled an unreleased track on YouTube called "Made-up" which looks to have been filmed on one of his last tours.  The track is part synth, part rock, and all Anoraak-- almost exactly as he implied it would be in our interview last year.  This release comes just before the Drive tour featuring Anoraak, College, and Electric Youth.  I've literally just grabbed my tickets to this tour (and oddly enough, watched "Drive" a couple days ago), and I'm about as excited as I can be.  If there's a tour to see this summer, this is it.  Check out the dates below!

The Drive Tour

07/20 Brooklyn @ Music Hall Of Williamsburg 

07/21 Washington @ DC 9 

07/22 Boston @ Brighton Music Hall 

07/23 Philadelphia @ Union Transfer 

07/25 Montreal @ Corona Theater 

07/26 Toronto @ Wrong Bar 

07/27 Detroit @ Pike Room 

07/28 Chicago @ Lincoln Hall 

07/29 Minneapolis @ Triple Rock Social Club 

08/01 Vancouver @ Electric Owl 

08/02 Seattle @ Chop Suey 

08/03 Portland @ Branx 

08/04 San Francisco @ Rickshaw Stop 

08/05 Los Angeles @ Echoplex 

08/06 San Diego @ Casbah 

08/07 Tucson @ Club Congress 

08/09 El Paso @ Garden Bar 

08/10 Dallas @ Prophet Bar 

08/11 Austin @ Red 7 

08/12 New Orleans @ One Eyed Jacks 

08/14 Miami @ Grand Central 

08/15 Orlando @ Social 

08/16 Atlanta @ Terminal West 

08/17 Chapel Hill @ Local 506

Skeleton Lipstick - Glow Then Melts

Here's something new for a Monday morning.  Skeleton Lipstick is a "existential hypnagogic pop" band out of Philadelphia.  They've got a new LP entitled Glow Then Melts coming out on July 4th on Airlines Tapes.  It's also being released on limited edition casette tapes (feels like my childhood).  SL reminds me a bit of Kavinsky meets... something more lo-fi?  This is totally a textured and dirty affair but retro all at once.  There's a ton of synth goodness and a pumping beat at the heart of it.  Don't let the bizarre name and haunting artwork fool you...